But the Foo Fighters have in their three decades proved, if nothing else, the boundless possibilities of positivity and being regular, self-deprecating guys. Letting the good times roll has made the Foo Fighters — despite being decades removed from their biggest hits — one of rock’s biggest acts, hall of fame inductees and, now, movie stars. If anything, “Studio 666″ is a testament to how bloody likable they are.
Bad vibes are the enemy in “Studio 666” — that, and a demonic force that dwells beneath the house and seizes Grohl, turning his monomaniacal desire for an “epic” album into a fevered, murderous obsession. Referencing Rush, he wants it to be “2112 times 2112.” He claims to discover a new note: L Sharp. A heavy metal thrasher stretches past 40 minutes in length.
Members of the band — Taylor Hawkins, Pat Smear, Rami Jaffee, Chris Shiflett, Nate Mendel — are peeled away one by one, and director B.J. McDonnell makes sure any death is comically extreme. A few friends make cameos — Lionel Richie, Whitney Cummings and Will Forte as a delivery guy with a demo tape who tells the group they’re “like my second favorite band after Coldplay.”
It’s rare for any musical act to make a movie like this today — documentaries seem the preferred format these days — and rarer still for it to be a band that’s been around as long as the Foo Fighters have. But hopefully it starts a new trend among ’90s acts. Maybe a hairbrained heist movie with Pavement or a science-fiction thriller with Radiohead?
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