‘Shakuntala’s inner strength will find resonance in the people of today’

Express News Service

Starting his career with the 1992 socio-political drama Laathi, which also fetched him the Nandi award for best director, Gunasekhar has had a memorable innings in the world of Telugu cinema, checkered with critical acclaim and commercial success. He is known for his dramatic stories, which lean heavily on art direction as well as the depiction of cultural values. One of the earliest Indian filmmakers to combine CGI with live action photography in his directorials—Okkadu and Sainikudu— Gunasekhar is also a pioneer in using VFX technology.

After a seven-year hiatus, Gunasekhar returns to the silver screen with Shaakunthalam, a cinematic adaptation of Kalidasa’s play, Abhijnana Shakuntalam. Starring Samantha in the lead role, Shaakuntalam is set around the life of its titular character Shakuntala. The epic details her journey from youth to womanhood as she battles injustices and adversities. The tale of Shakuntala, her husband Dushyanta and her son Bharata also predates the clans of Kauravas and Pandavas, in factm even acts as a prequel to the Mahabharata. 

Explaining in detail on how the magnum opus came into inception, Gunasekhar says, “I have actually been working on a Hiranyakashyapa  film for the last five years. We spent two years on the script and three years doing extensive pre-production. But the pandemic threw a spanner in the works. Since that project was stalled indefinitely, I wanted to do something compact, like a love story. That is why I took up Shaakuntalam as my next” 

The filmmaker shares that the layers of Shakuntala’s character were an added impetus to tell the story. “We often think of Shakuntala as this epitome of beauty. But there is so much more to her character. She had a lot of self respect and gumption. We believe that Shakuntala’s inner strength will find resonance in the people of today, especially the women. Shaakuntalam has a lot of values.” 

Know for making opulent films heavy on visual effects, Gunasekhar asserts that Shaakuntalam will be no different. “While we spent five months shooting for Shaakuntalam,  the post production took almost 18 months, owing to the  VFX.”  says the filmmaker, who goes on to explain some of the challenges he encountered during the making of Shaakuntalam. “Shakuntala grows up amongst a lot of animals. Recreating animals is artistically challenging, time consuming and expensive.  Two decades ago, we could have easily shot our film with real animals, but we cannot do it anymore due to environmental laws and regulations. We planned our budget accordingly. For the VFX of animals, we opted for the best international companies, and for the CGI involved in recreating backgrounds, we opted for domestic organisations who are almost as good as their international counterparts, if not more,” shares Gunasekhar.

While Samanthaa’s stardom is the highlight of Shaakuntalam, Gunasekhar opted to launch  Malayalam actor Dev Mohan as Dushyanta. “We would have ideally liked someone from our own industry to play Dushyanta. It would have also made sense from a business perspective, to hire a well known Telugu actor. But I must admit, we had to rope in an outsider because our heroes won’t agree to such roles. The role of Dushyanta has a lot of shades, and the only way our heroes would do portray such a character is if they were the main lead in the film, not as a secondary lead or as a supporting actor. Dev is a newcomer, but he was game for the role. He was willing to dedicate all his time and efforts to the role. What more does a director want?” asks Gunasekhar, who also sheds light on how Samantha became Shakuntala. “Samantha worked closely with danseuse and actor Aruna Bhikshu, who helped her to embody the grace and the coy femininity of Shakuntala.”

Even though Shaakuntalam is up for release on April 14, the makers of the film had already conducted a premiere screening for the public recently.  “We initially organised the preview screening to just check out whether the 3D version of the film was on point. Since we anyway had to test it on a large screen, we were confident enough about Shaakuntalam to bring in the audience too.  We received a lot of love from them, and I am sure the film will be an enjoyable watching experience for the audience from April 14 too,” signs off Gunasekhar 

<br /> Starting his career with the 1992 socio-political drama Laathi, which also fetched him the Nandi award for best director, Gunasekhar has had a memorable innings in the world of Telugu cinema, checkered with critical acclaim and commercial success. He is known for his dramatic stories, which lean heavily on art direction as well as the depiction of cultural values. One of the earliest Indian filmmakers to combine CGI with live action photography in his directorials—Okkadu and Sainikudu— Gunasekhar is also a pioneer in using VFX technology.</p> <!-- WP QUADS Content Ad Plugin v. 2.0.85 --> <div class="quads-location quads-ad200503 " id="quads-ad200503" style="float:none;margin:0px 3px 3px 3px;padding:0px 0px 0px 0px;" data-lazydelay="0"> <!-- WP QUADS - Quick AdSense Reloaded v.2.0.85 Content AdSense async --> <ins class="adsbygoogle" style="display:block;" data-ad-format="auto" data-ad-client="ca-pub-7550963679842137" data-ad-slot="1823845571"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({});</script> <!-- end WP QUADS --> </div> <p>After a seven-year hiatus, Gunasekhar returns to the silver screen with Shaakunthalam, a cinematic adaptation of Kalidasa’s play, Abhijnana Shakuntalam. Starring Samantha in the lead role, Shaakuntalam is set around the life of its titular character Shakuntala. The epic details her journey from youth to womanhood as she battles injustices and adversities. The tale of Shakuntala, her husband Dushyanta and her son Bharata also predates the clans of Kauravas and Pandavas, in factm even acts as a prequel to the Mahabharata. </p> <p>Explaining in detail on how the magnum opus came into inception, Gunasekhar says, “I have actually been working on a Hiranyakashyapa  film for the last five years. We spent two years on the script and three years doing extensive pre-production. But the pandemic threw a spanner in the works. Since that project was stalled indefinitely, I wanted to do something compact, like a love story. That is why I took up Shaakuntalam as my next” googletag.cmd.push(function() {googletag.display(‘div-gpt-ad-8052921-2’); });</p> <p>The filmmaker shares that the layers of Shakuntala’s character were an added impetus to tell the story. “We often think of Shakuntala as this epitome of beauty. But there is so much more to her character. She had a lot of self respect and gumption. We believe that Shakuntala’s inner strength will find resonance in the people of today, especially the women. Shaakuntalam has a lot of values.” </p> <!-- WP QUADS Content Ad Plugin v. 2.0.85 --> <div class="quads-location quads-ad200503 " id="quads-ad200503" style="float:none;margin:0px 3px 3px 3px;padding:0px 0px 0px 0px;" data-lazydelay="0"> <!-- WP QUADS - Quick AdSense Reloaded v.2.0.85 Content AdSense async --> <ins class="adsbygoogle" style="display:block;" data-ad-format="auto" data-ad-client="ca-pub-7550963679842137" data-ad-slot="1823845571"></ins> <script> (adsbygoogle = window.adsbygoogle || []).push({});</script> <!-- end WP QUADS --> </div> <p>Know for making opulent films heavy on visual effects, Gunasekhar asserts that Shaakuntalam will be no different. “While we spent five months shooting for Shaakuntalam,  the post production took almost 18 months, owing to the  VFX.”  says the filmmaker, who goes on to explain some of the challenges he encountered during the making of Shaakuntalam. “Shakuntala grows up amongst a lot of animals. Recreating animals is artistically challenging, time consuming and expensive.  Two decades ago, we could have easily shot our film with real animals, but we cannot do it anymore due to environmental laws and regulations. We planned our budget accordingly. For the VFX of animals, we opted for the best international companies, and for the CGI involved in recreating backgrounds, we opted for domestic organisations who are almost as good as their international counterparts, if not more,” shares Gunasekhar.</p> <p>While Samanthaa’s stardom is the highlight of Shaakuntalam, Gunasekhar opted to launch  Malayalam actor Dev Mohan as Dushyanta. “We would have ideally liked someone from our own industry to play Dushyanta. It would have also made sense from a business perspective, to hire a well known Telugu actor. But I must admit, we had to rope in an outsider because our heroes won’t agree to such roles. The role of Dushyanta has a lot of shades, and the only way our heroes would do portray such a character is if they were the main lead in the film, not as a secondary lead or as a supporting actor. Dev is a newcomer, but he was game for the role. He was willing to dedicate all his time and efforts to the role. What more does a director want?” asks Gunasekhar, who also sheds light on how Samantha became Shakuntala. “Samantha worked closely with danseuse and actor Aruna Bhikshu, who helped her to embody the grace and the coy femininity of Shakuntala.”</p> <p>Even though Shaakuntalam is up for release on April 14, the makers of the film had already conducted a premiere screening for the public recently.  “We initially organised the preview screening to just check out whether the 3D version of the film was on point. Since we anyway had to test it on a large screen, we were confident enough about Shaakuntalam to bring in the audience too.  We received a lot of love from them, and I am sure the film will be an enjoyable watching experience for the audience from April 14 too,” signs off Gunasekhar <br />